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341The x-ray image revealed that the two figures flanking the composition experienced a considerable number of changes, especially throughout the drapery. The bulky and awkward proportions of the soldier's head and arm suggests that a painter or apprentice with less experience may have worked in this area. It was not uncommon for the edges of large format paintings to remain unfinished for a period of time, eventually being completed and/or adjusted by the original painter or a different artist at a later date. Here the entire figure was enlarged as the original position of the arm and shoulder can be seen in the x-ray. Cross-sectional analysis also revealed that the soldier was originally depicted wearing an elaborate metal tunic (lorica segmentata) instead of a yellow fabric tunic.
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343During the 3 day X-ray session, the team posted announcements on social media, inviting followers to tune into the live-feed featured on the project's blog (Pictured Here: Project Leader Kristin deGhetaldi, project intern Keara Teeter, and project volunteer Sarah Steffan)
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344MainLine Media News features the x-radiography session and the team's discoveries:<br/><a href="http://www.mainlinemedianews.com/articles/2014/09/30/main_line_times/news/doc542993678ae64125697732.txt" target="_blank">Click here for the article</a>
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345Continued to apply fills and tone losses throughout upper section.
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351The team continued to apply fills to areas of loss and tone fills using red-brown gouache paints
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352The team continued to apply fills to areas of loss and tone fills using red-brown gouache paints
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355The team continued to apply fills to areas of loss and tone fills using red-brown gouache paints
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358The team continued to apply fills to areas of loss and tone fills using red-brown gouache paints
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