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  1. 41
    During IMAGE
    timeline view   simple view
    Date: 2015-01-28
  2. 42
    During
    timeline view   simple view
    Date: 2015-01-28
  3. 43
    During IMAGE
    timeline view   simple view
    Date: 2015-01-28
  4. 44
    During
    timeline view   simple view
    Date: 2015-01-28
  5. 45
    During IMAGE
    timeline view   simple view
    Date: 2015-01-28
  6. 46
    Status
    Continued retouching/inpainting small areas of loss as well as larger textured fills. Continued using silicone molds and wax-resin paste to impart texture in large areas of loss.
    timeline view   simple view
    Date: 2015-02-01
  7. 47
    November 2014
    timeline view   simple view
    Date: 2015-02-01
  8. 48
    January 2015
    timeline view   simple view
    Date: 2015-02-03
  9. 49
    2015-01 IMAGE
    timeline view   simple view
    Date: 2015-02-03
  10. 50
    February 2015
    Continued retouching/inpainting small areas of loss as well as larger textured fills. Continued using silicone molds and wax-resin paste to impart texture in large areas of loss.
    timeline view   simple view
    Date: 2015-02-05
  11. 51
    2015-02 IMAGE
    timeline view   simple view
    Date: 2015-02-05
  12. 52
    Continued with Texturing Wax-Resin Fills
    timeline view   simple view
    Date: 2015-02-07
  13. 53
    Continued Texturing Fills
    The team continues to prepare wax-resin paste and texture large areas of loss. The project leaders document the filling process while fills continue to be textured along the bottom section of the painting (Pictured here: Project Leaders Kristin deGhetaldi and Brian Baade; Project volunteer Sarah Beaver)
    timeline view   simple view
    Date: 2015-02-07
  14. 54
    Textured Fills
    Two detailed shots of textured fills, as seen after applying heat and silicone molds to the wax-resin paste. Care is taken to continue brushstrokes and to repeat distinct craquelure patterns.
    timeline view   simple view
    Date: 2015-02-07
  15. 55
    Applying Retouching Paints to Losses
    timeline view   simple view
    Date: 2015-02-15
  16. 56
    Applying Reversible Paints to Losses
    Several days were devoted to the reintegration of the outer edges, as these areas had with sustained the most damage due to previous restoration campaigns and possibly poor storage/handling conditions. Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion. (Pictured Here: Project volunteers Morgan Shankweiler and Sarah Beaver)
    timeline view   simple view
    Date: 2015-02-15
  17. 57
    Retouching in Progress
    timeline view   simple view
    Date: 2015-02-22
  18. 58
    Child's Face
    The face of the child along the far right edge of the painting had sustained considerable damage during previous restoration campaigns. The conservation team spent many hours carefully reintegrating the losses throughout the face.
    timeline view   simple view
    Date: 2015-02-22
  19. 59
    Before
    timeline view   simple view
    Date: 2015-02-22
  20. 60
    Before IMAGE
    timeline view   simple view
    Date: 2015-02-22

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