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    Several distracting pentimenti (original changes made by the artist that were not meant to be seen) had to be carefully suppressed using conservation paints. As seen in the x-ray and IR images, multiple changes were made to the legs and feet belonging to the group of central soliders. As oil paint can become more transparent over time these pentimenti began to become visible, giving rise to distracting, ghostly forms in the paint
    timeline view   simple view
    Date: 2015-05-07
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    During the team's research rip in Rome, generous colleagues provided high-resolution images of several paintings and frescoes located in and around Rome that are associated with Pietro da Cortona and his workshop. These photos served as important reference images during the reintegration of the large loss in the bottom right corner.
    timeline view   simple view
    Date: 2015-05-15
  11. 511
    During the team's research rip in Rome, generous colleagues provided high-resolution images of several paintings and frescoes located in and around Rome that are associated with Pietro da Cortona and his workshop. These photos served as important reference images during the reintegration of the large loss in the bottom right corner.
    timeline view   simple view
    Date: 2015-05-15
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    During the team's research rip in Rome, generous colleagues provided high-resolution images of several paintings and frescoes located in and around Rome that are associated with Pietro da Cortona and his workshop. These photos served as important reference images during the reintegration of the large loss in the bottom right corner.
    timeline view   simple view
    Date: 2015-05-18
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    At the 43rd Annual AIC Meeting in Miami, project leader Kristin deGhetaldi delivered a presentation that focused on the restoration of the painting; project interns Keara Teeter and Allison Rabent presented a poster summarizing the three day process involved with x-raying the large 12 by 20 ft painting in-situ
    timeline view   simple view
    Date: 2015-05-23
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    Continued retouching/inpainting small areas of loss as well as larger textured fills.
    timeline view   simple view
    Date: 2015-06-01
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