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Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion throughout the scattered losses in the left soldier's shoulder.
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Date: 2015-02-22
Continued retouching/inpainting small areas of loss as well as larger textured fills. Began to tone larger losses throughout the upper section of the painting. Continued using silicone molds and wax-resin paste to impart texture in large areas of loss.
timeline view   simple view
Date: 2015-03-01
The team began to apply a range of base colors throughout losses in the upper section of the painting.
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Date: 2015-03-07
Conservators often clean their palettes before moving to specific areas or colors during the retouching process (Pictured Here: Project leader Kristin deGhetaldi and volunteer Morgan Shankweiler).
timeline view   simple view
Date: 2015-03-12
Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion in King Saul's proper left hand.
timeline view   simple view
Date: 2015-03-12