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541
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542Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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543
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544Continued retouching/inpainting small areas of loss as well as larger textured fills.
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545
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546
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547
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548
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549
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550The team continued to work intensively on the losses throughout the upper section of the painting, namely areas in the sky and architecture. Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.<br/><br/>(Pictured Here: Project intern Katie Rovito)
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551
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552Using examples of actual Halberds housed in the Phildelphia Museum of Art as well as the Infrared Image of the upper left corner, the team was able to reconstruct the form of the Halberd as it may have originally appeared.
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553Using examples of actual Halberds housed in the Phildelphia Museum of Art as well as the Infrared Image of the upper left corner, the team was able to reconstruct the form of the Halberd as it may have originally appeared.
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554
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555Using examples of actual Halberds housed in the Phildelphia Museum of Art as well as the Infrared Image of the upper left corner, the team was able to reconstruct the form of the Halberd as it may have originally appeared.
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556
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557Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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558Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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559
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560Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.