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521Continued retouching/inpainting small areas of loss as well as larger textured fills.
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522
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523
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524
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525
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526
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527Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.<br/><br/>(Pictured Here: Project intern Claire Burns)
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528
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529Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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530Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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531
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532Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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533
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534This female head was added into the composition during a later painting stage directly over the blue sky. Extremely small brushes were used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion, especially where hints of blue were showing through areas of the woman's face.
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535This female head was added into the composition during a later painting stage directly over the blue sky. Extremely small brushes were used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion, especially where hints of blue were showing through areas of the woman's face.
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536
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537This female head was added into the composition during a later painting stage directly over the blue sky. Extremely small brushes were used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion, especially where hints of blue were showing through areas of the woman's face.
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538
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539Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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540Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.