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201
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202Continued to apply fills and tone losses throughout upper section.
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203After Modostuc was applied to losses in the paint, red-brown gouache paints were used to tone the fills (Pictured Here: Allison Rabent)
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204
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205The team continued to apply fills and tone losses throughout the upper section of the painting.
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206
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207
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208Continued with removal of varnish/overpaint throughout the top half of the painting and along the outermost edges (Pictured here: Ellen Nigro)
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209Significant paint loss was revealed throughout the helmet and feather plume of the standing soldier after removal of the thickly applied varnish and overpaint.
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210
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211
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212
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213
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214Significant paint loss was revealed throughout the two women's faces along the right edge of the picture after removal of the thickly applied varnish and overpaint.
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215
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216
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217
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218
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219Continued applying fills throughout the central portion of the painting.
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220The canvas was keyed out to reduce planar deformations. Loose wooden keys were also secured with nails and missing keys were replaced