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    Continued to apply fills and tone losses throughout upper section.
    timeline view   simple view
    Date: 2014-08-07
  3. 203
    After Modostuc was applied to losses in the paint, red-brown gouache paints were used to tone the fills (Pictured Here: Allison Rabent)
    timeline view   simple view
    Date: 2014-08-07
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    The team continued to apply fills and tone losses throughout the upper section of the painting.
    timeline view   simple view
    Date: 2014-08-15
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    Continued with removal of varnish/overpaint throughout the top half of the painting and along the outermost edges (Pictured here: Ellen Nigro)
    timeline view   simple view
    Date: 2014-04-07
  9. 209
    Significant paint loss was revealed throughout the helmet and feather plume of the standing soldier after removal of the thickly applied varnish and overpaint.
    timeline view   simple view
    Date: 2014-04-07
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    Significant paint loss was revealed throughout the two women's faces along the right edge of the picture after removal of the thickly applied varnish and overpaint.
    timeline view   simple view
    Date: 2014-04-07
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    Continued applying fills throughout the central portion of the painting.
    timeline view   simple view
    Date: 2014-04-07
  20. 220
    The canvas was keyed out to reduce planar deformations. Loose wooden keys were also secured with nails and missing keys were replaced
    timeline view   simple view
    Date: 2014-04-21