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541
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542Continued retouching/inpainting small areas of loss as well as larger textured fills.
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543
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544
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545
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546
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547
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548Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.<br/><br/>(Pictured Here: Project intern Claire Burns)
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549
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550Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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551Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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552
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553This female head was added into the composition during a later painting stage directly over the blue sky. Extremely small brushes were used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion, especially where hints of blue were showing through areas of the woman's face.
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554This female head was added into the composition during a later painting stage directly over the blue sky. Extremely small brushes were used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion, especially where hints of blue were showing through areas of the woman's face.
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555
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556Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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557Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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558
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559Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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560