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63Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion throughout the scattered losses in the left soldier's shoulder.
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73Continued retouching/inpainting small areas of loss as well as larger textured fills. Began to tone larger losses throughout the upper section of the painting. Continued using silicone molds and wax-resin paste to impart texture in large areas of loss.
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78The team began to apply a range of base colors throughout losses in the upper section of the painting.
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79Conservators often clean their palettes before moving to specific areas or colors during the retouching process (Pictured Here: Project leader Kristin deGhetaldi and volunteer Morgan Shankweiler).
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80Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion in King Saul's proper left hand.