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2Continued with removal of varnish and overpaint throughout the upper section of the painting. The team continued to apply fills to areas of loss in the bottom section of the painting and to tone existing fills
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8Continued applying fills throughout the central portion of the painting.
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9Continued with removal of varnish/overpaint throughout the top half of the painting and along the outermost edges (Pictured here: Ellen Nigro)
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10Significant paint loss was revealed throughout the helmet and feather plume of the standing soldier after removal of the thickly applied varnish and overpaint.
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13Significant paint loss was revealed throughout the two women's faces along the right edge of the picture after removal of the thickly applied varnish and overpaint.
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20The canvas was keyed out to reduce planar deformations. Loose wooden keys were also secured with nails and missing keys were replaced