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41Continued to apply fills and tone losses throughout upper section.
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42After Modostuc was applied to losses in the paint, red-brown gouache paints were used to tone the fills (Pictured Here: Allison Rabent)
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43
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44The team continued to apply fills and tone losses throughout the upper section of the painting.
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45
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46
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47Continued with removal of varnish/overpaint throughout the top half of the painting and along the outermost edges (Pictured here: Ellen Nigro)
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48Significant paint loss was revealed throughout the helmet and feather plume of the standing soldier after removal of the thickly applied varnish and overpaint.
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49
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52
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53Significant paint loss was revealed throughout the two women's faces along the right edge of the picture after removal of the thickly applied varnish and overpaint.
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54
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57
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58Continued applying fills throughout the central portion of the painting.
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59The canvas was keyed out to reduce planar deformations. Loose wooden keys were also secured with nails and missing keys were replaced
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60Completed removal of varnish and overpaint throughout the top section of the painting. The team continued to apply fills to areas of loss in the bottom section of the painting and to tone existing fills