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    The architectural features along the right edge of the painting also required several days to perform the reintegration process using retouching paints.
    timeline view   simple view
    Date: 2015-06-22
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    The large horizontal tears extending through King Saul's feet were filled, toned, and inpainted using conservation paints.
    timeline view   simple view
    Date: 2015-06-22
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    Continued retouching/inpainting small areas of loss as well as larger textured fills.
    timeline view   simple view
    Date: 2015-07-01
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    Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.<br/><br/>(Pictured Here: Project intern Claire Burns)
    timeline view   simple view
    Date: 2015-07-07
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    Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
    timeline view   simple view
    Date: 2015-07-19
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    Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
    timeline view   simple view
    Date: 2015-07-19
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