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44The architectural features along the right edge of the painting also required several days to perform the reintegration process using retouching paints.
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46The large horizontal tears extending through King Saul's feet were filled, toned, and inpainted using conservation paints.
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50Continued retouching/inpainting small areas of loss as well as larger textured fills.
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56Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.<br/><br/>(Pictured Here: Project intern Claire Burns)
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58Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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59Extremely small brushes are used to carefully mix and apply the reversible, stable conservation paints to areas of loss and abrasion.
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