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Continued with removal of varnish and overpaint throughout the upper section of the painting. The team continued to apply fills to areas of loss in the bottom section of the painting and to tone existing fills
timeline view   simple view
Date: 2014-04-01
Continued with removal of varnish/overpaint throughout the top half of the painting and along the outermost edges (Pictured here: Ellen Nigro)
timeline view   simple view
Date: 2014-04-07
Significant paint loss was revealed throughout the helmet and feather plume of the standing soldier after removal of the thickly applied varnish and overpaint.
timeline view   simple view
Date: 2014-04-07
Significant paint loss was revealed throughout the two women's faces along the right edge of the picture after removal of the thickly applied varnish and overpaint.
timeline view   simple view
Date: 2014-04-07
Continued applying fills throughout the central portion of the painting.
timeline view   simple view
Date: 2014-04-07
The canvas was keyed out to reduce planar deformations. Loose wooden keys were also secured with nails and missing keys were replaced
timeline view   simple view
Date: 2014-04-21
Completed removal of varnish and overpaint throughout the top section of the painting. The team continued to apply fills to areas of loss in the bottom section of the painting and to tone existing fills
timeline view   simple view
Date: 2014-05-01